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Slovensko | ||||||||||||||||
Jože Šubic: Glorious TwelfthJože Šubic: Glorious Twelfth Glorious Twelfth consists of a series of twelve works: first, the Blowing Twins were created in 2016, followed by female figures with meaningful titles: Female Shooter, Moon Observer, Medusa, Sister of Mercy, The Girl Who Wants to Know How Wet She Is, Girl on a Bike, Chess Player, Reader, Pearl Diver, Te-Ta, and Slovenian Nightingale. The works continue and upgrade a series of sculptures of life-size women's heads, 'drowning women' and 'captives' as a metaphor for social marginality and exclusion (the 2012 art intervention in a decaying, century-old Žiče Mansion in Maribor's Lent as part of the European Capital of Culture; the 2014 exhibition at the Mihelič Gallery in Ptuj). This gallery set-up, too, functions as a comprehensive ambience, in which at the first sight we witness another set of disciplined female bodies. And yet, the visible gallery setting delivers more than just iconically represented female figures immersed in more or less excessive activity. It offers the viewer the chance to get accustomed to an unknown experience, in the form of clichés about the female body and pleasure, sometimes driven to the point of unbearableness. At the same time, this acts as a point of suspense, which the artist achieves through contagious humor and multifaceted appeals to the imagination. The focus of Jože Šubic's work evolves in the direction of an associative intertwining of social rituals, sports, hobbies and games, art and sexuality. In this perspective, the enigma of femininity is a key agent for what resists being captured by power/authority and knowledge. Art can still point to it, although using allusion, in the form of metaphors or parables, such as those we can find in the work of Jože Šubic.
Photo: Janez Klenovšek |
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